Tuesday, February 8, 2011

New Painting Technique: The Scumbling Painting

Glazing may also be wrongly identified as scumbling but in reality produces depth within the opposite way by resulting in the top of the painting.. 

 


Scumbling techniques have been utilized by old master technique because the 1600s to create smooth gradations modify a previously dried layer of paint and to give a sense of depth. This method is accomplished by applying thin layers of sunshine opaque colors over dark layers of dried transparent paint. The final results gives a painting a surface that various in how much of the under painting is revealed. 

An ultra thin layer of an opaque paint can soften an area of the painting while giving it a misty, almost out-of-focus look that might be usual for background objects. Adding a thicker layer of paint to an area would naturally give that object a look and feel to be within the foreground. However, scumbling an excessive amount of a canvas with thick opaque paint can lead to a return to some flattened sense of depth.

The scumbling painting technique is often accustomed to create a beam of light penetrating an otherwise darkens room. It's also helpful to give a glowing effect to intensify individual objects and skin tones.  An advantage of scumbling is that if it doesn't produce the desired effect the still wet top layer can be taken off having a clean cloth alone or with a solvent like turpentine when needed.  Famous painters and paintings that use a scumbling technique include: 

-Rembrandt and at least two of his famous paintings called “Artist Contemplating the Bust of Homer” and “Self Portrait”. These two were oil paintings on canvas. 

- In france they Master David Jacques-Louis and the painting “Madame Charles-Louis Trudaine”

The Most Appropriate Place to Put your Paintings

Enjoy your home decorating!

The next pointers provide you with some suggestions about the best places in your house to hold your painting from portrait for great wall decor.


1. The Family room

Make sure the art piece is visible to people relaxing in the living room. If possible, have the sofa set arranged to manage the art piece such that each person seated will have a great view of it. A great place to hang the art could be above the hearth. One large art piece hanging above the hearth would really create a statement and draw attention. If you want your art piece to be the focal point of the whole room, place it in a strategic location where visitors can see it first thing when they take on the room. When there is a wall directly facing the leading entrance of your house, hanging a sizable art piece or tapestry there would really catch your visitor’s attention.

If the sofa is placed against a wall, hanging art pieces on that wall is also fine, but note that you need to hang it sufficient so that a person seated on the sofa and leaning his head from the wall won't are exposed to the art piece and dislodge it. Use several different art techniques pieces and group them cleverly to include a far more balanced effect. The size of the art pieces should be chosen in line with the size the sitting room and the distance between the viewer’s eyes and also the art. When the living area is small, the viewers are within close proximity from the art piece, you are able to choose pieces that are smaller in size but contain finer detail to enable them to be superior appreciated in a closer distance.

2. The Bedroom

Hanging an art piece about the wall directly faces will certainly give you something pleasant to look at as you get ready for bed. If your bed is against a wall, you are able to put categories of smaller pictures there as well. Attempt to place your art someplace where it's viewable from in which you or your guests would normally be in the room, ie, bed or even the study table.

3. The Dining Area

The dining area is a great place to hold art. Pictures of food or flowers will add a fascinating balance to the dining room and will create good conversational topic for the guests. Make sure to hang the art piece at just concerning the right height about the wall which means that your guests seated round the table will be able to view it. As a rule of thumb, hanging the art piece at eye level should be just about right. However, if your dining area is incorporated in the kitchen, then you definitely might want to think twice about putting your art there since the grease from regular cooking might damage it over time.

4. Staircase landing

A staircase landing between two floors is a good way to hold art. It will likely be a fascinating focus for someone who's climbing up the stairs. When the wall at the staircase landing is large enough, you may consider a larger art piece so that your visitor may begin to see it even before he reaches the very best from the stairs. The wall across the stairway can also be used to hold art. As stairways are narrow (most anyway), you should use smaller pictures for this area since it can be really close to the viewer’s eyes as he is walking up or down the steps.

Hanging art in your walls can really help to liven up the place and transform your home into a home. There aren't any solid rules regarding the way you should decorate your home. Feel free to experiment. At the end of the day, as long as it looks good for you, it’s everything really matters.

Finest Art on the Internet for Artist

When you think of taking a look at art, what is your opinion about? Visiting museums? Looking through huge dusty books at the library? Visiting a gallery?

The internet is really a fabulous spot to find new artists and also to find out more about the different artistic movements you’ve been interested in.

Thanks to the internet, many of today’s up and coming artists are able to showcase their work to millions of viewers and really create a reputation for them, all with no need for fervently hoping that a gallery representative takes a desire for them. There are quite a few places on the internet where one can view fantastic art. Here are some you might not consider:

Stumble Upon’s Fine Arts Channel. One of my favorite things you can do when I’m searching for new artists to understand about is to start stumbling painting tutorials! Stumble Upon comes with an art channel that lets you limit the different kinds of art and artists you need to encounter. When you choose fine arts, you're come to the various websites of painters, sketchers, sculptors as well as web pages for many of the most famous museums, like the Museum of Modern Art.

Flickr. There are plenty of people on Flickr who simply upload snapshots of their cats (yes, for that record, I'm one of these). There are also quite a few very talented artists they like Flickr to display their art painting techniques. There are photos, sure, but there are paintings, sketches, and photos of sculptures. The fantastic thing about Flickr is the fact that the majority of the artists who display their work there achieve this having a Creative Commons license. Which allows viewers to print out the pictures and employ them within their homes?

D’Art: The art work database. Here you can choose from whatever kinds of fine arts you wish to view. You can also choose which media are your favorites. This can be a great site for people who are very picky concerning the kind of art they like to look at. Generalists can fare well here too-they have to click more buttons.

The great thing about these internet resources is that they do not bother with discussing what art really is. Anybody with a website or use of the internet can show their work via this resources-Stumble Upon lends itself nicely to up and comers who just want their work to be seen. Regardless of your feelings surrounding fine art, it is possible to find images that you like with these resources.

The meaning of “art” is difficult to resolve. For most people art is something they recognize but cannot define (also known as “I realize it after I see it”). The web is an excellent spot to discover artists which you may not have heard of or explore a kind of art that you want to explore. There is more to art than what is displayed at a museum, a gallery or perhaps in a magazine.

Life with Art

The good thing about art transcends other areas of our world. It makes an attractive mind much more beautiful. It's also the balm that soothes all ailments.

When you seem like you are having a great day, you need to express yourself through art. And when you feel like the world is completely against you, the battle you face is uphill, and you need to turn to art in those times too.

I once knew of a lady who had her whole life before her. She had just graduated senior high school and she or he had been selected by a top college in the country. She was enjoying a pleasant summer day out about the lake. They'd a platform where she was sunbathing in the middle of the water. She chose to jump in and take a swim. Which was the last time she walked? She was paralyzed when she hit the bottom.

I recall reading a magazine about her. It had been very inspiring. Completely paralyzed inside a wheelchair, she never lost sight of life. Joni Eareckson Tada picked up a brush with her mouth and started painting. But while most people would paint images expressing a feeling of loss in this type of situation, Joni painted the most beautiful scenes of ocean views and horses in meadows. I suppose her thoughts were centered on the fact that life had given her another chance and with that chance she made a decision to oil paint.

Today, she runs a ministry for other people who're handicapped. Nobody needs to pioneer themselves through the loss they've just experienced. Joni can there be to help them. She shows all of them with her actions and through her words. But the something about her words, they aren’t false and they don’t lack understanding, the industry obstacle for many people who suddenly finish up in this type of situation. Joni knows because she has experienced it. People realize that she can relate. Art was there to spark life back to her and now she in turn gives back. That’s a lesson we're able to all are in position to learn.

When I first heard the story about Joni, I figured how original, this type of miraculous story. After I started writing this article, I used to do a search on the net to remind myself of certain details. Joni is buried somewhere within the bottom of the pile since there are example after illustration of how artists have fought back using their own adversity. Artists who're paralyzed or challenged in certain other way are practicing art and getting through life just fine.

For starters, there’s Dennis Francesconi, an artist from Fresno, California who broke his neck and immediately became a quadriplegic due to a ship skiing accident. Then there’s Erin Brady Worsham, an artist who paints with her eyebrows. She battles with amyotrophic lateral sclerosis and she or he can neither move nor breathe on her own. But, wires taped to her eyebrows that connect to a keyboard on her wheelchair allow her to manipulate images on her computer screen. Her paintings techniques take her about 250 hour’s price of work, but they're beautiful. When art drives you, nothing can hold you back. Those are only some of the miraculous artists pursuing their passions regardless of the adversities they face.

A couple weeks ago, I highlighted the lives of Peggy Chun and Carlos Vargas within an article entitled “The Drive in Art.” Additionally they found life through art after meeting with adversity. I don’t think it’s a lot as people finding art through life. I believe it’s a larger phenomenon than that. I believe people are finding life through art.

Chiaroscuro

The Incredulity associated with Saint Thomas by Caravaggio

Chiaroscuro (Italian: “light-dark”) in art is seen as a strong contrasts between light and dark painting color, usually bold contrasts affecting a whole composition. It's also a technical term used by artists and art historians for implementing contrasts of sunshine to attain a sense of volume in modeling three-dimensional objects like the human body.

Further specialized uses include chiaroscuro woodcut, for coloured woodcuts printed with various blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper with drawing inside a dark medium and white highlighting. Similar effects within the lighting of cinema and photography will also be chiaroscuro.

Origin
in the chiaroscuro drawing
Chiaroscuro originated during the Renaissance as drawing on coloured paper, in which the artist worked from this base tone towards light, with white gouache, and dark, with ink, body colour or watercolour. These in turn drew on traditions in illuminated manuscripts, going back to late Roman Imperial manuscripts on purple-dyed vellum. Chiaroscuro woodcuts began as imitations of the technique. When discussing Italian art, the term is sometimes used to mean painted images in monochrome or two colours, more generally known in English through the French equivalent, grisaille. The word early broadened in meaning to pay for all strong contrasts in illumination between light and dark areas in art, that is now the main meaning.

Chiaroscuro modeling
The more technical use of the term chiaroscuro is the effect of sunshine modeling in painting, drawing or printmaking, where three-dimensional volume is suggested through the value gradation of colour and the analytical division of sunshine and shadow shapes - often called “shading”. The invention of those effects in the western world, “skiagraphia” or “shadow-painting” towards the Ancient Greeks, was traditionally ascribed towards the famous Athenian painter from the 5th century BC, Apollodoros. Although virtually no Ancient Greek painting survives, their knowledge of the result of light modelling can still be observed in the late 4th century BC mosaics of Pella, Macedonia, in particular the Deer Hunt, in the home from the Abduction of Helen, inscribed gnosis epoesen, or ‘knowledge did it’.

They also survived in rather crude standardized form in Byzantine art and were refined again in the centre Ages being standard by the early fifteenth-century in painting and manuscript illumination in Italy and Flanders, after which spread to any or all Western art. The Raphael painting illustrated, with light from the left, demonstrates both delicate modelling chiaroscuro to provide volume towards the body of the model, and also strong chiaroscuro in the more common sense within the contrast between your well-lit model and the very dark background of foliage. However, to further complicate matters, the compositional chiaroscuro from the contrast between model and background could possibly 't be described by using this term, since the two elements are almost completely separated. The word is mostly used to describe compositions where at least some principal elements of the main composition show the transition between light and dark, as with the Baglioni and Gertgen to Sint Jans paintings illustrated above and below.

Chiaroscuro modelling is now taken for granted, but had some opponents; the English portrait miniaturist Nicholas Hilliard cautioned in his treatise on painting against all but the minimal use we have seen in his works, reflecting the views of his patron Queen Elizabeth I of England:”seeing that better to show oneself needeth no shadow of place but rather the open light…Her Majesty..Chose her place to take that purpose in the open alley of a goodly garden, where no tree was near, nor any shadow at all…”

In drawing techniques and prints hatching, or shading by parallel lines, is often accustomed to achieve modeling chiaroscuro. Washes, stipple or dotting effects and “surface tone” in printmaking is also techniques.